Once again I find myself in awe of the craft on display. Every time I begin to wonder, “Is there too much Wano?” and the fatigue starts to set in, the material comes back around with a home run installment. It's incredible to think about how much is coming to a head in this arc. The story of the land of Wano, and particularly the Akazaya Nine, has really come to define post-timeskip One Piece.
We see the emotional crux of so much coming to fruition. You can almost see the layers of setup like geological strata, going back in time from newly introduced characters (Kiku, Denjiro, Kanjuro, Ashura, Kawamatsu), to those from the recent past (Raizo, Dogstorm, Cat Viper), to those introduced nearly a decade ago in the manga (Kinemon). The Akazaya Nine are as integrated into the specific island of Wano and present-tense concerns as they are connected with the broader world and the long history of injustice in the setting.
The Kiku and Kanjuro fight is a real highlight. The framing of the battle as a climactic battle in a stage play, mirroring Kanjuro's figurative and literal performances as well as the theatrical framing of the arc more broadly, is just terrific. Kiku having to, in her own words, slice up her own heart until there is No Mercy left for the Kanjuro she had known since childhood was powerful stuff. The shot of the horizontal red slash cutting through Kiku's inner child until she disintegrated – wow. Amazing stuff, and in weekly television no less.
In truth, this is another one of those episodes where it feels you can pull any sequence and talk about its visual flourishes at length. The Dutch angle POV on Kaido beheading Orochi, the shattered screen of Onigashima when Kaido is pontificating, the combative blue and red screen slashes throughout – it's all gorgeous stuff. And the wide range of hues in each scene helps underscore the grand existential forces at play, from the terrifying yellow smog of Big Mom's arrival to the sickening green of Orochi's greed to the black and white fading to crimson of Kanjuro's grand finale. The Toei team has yet again outdone themselves and taken what was already some of the strongest material in the manga and elevated it substantially.
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